Films of the week: The Old Oak, Bottoms

Ken Loach draws the curtain on an impressive filmography, and Emma Seligman signs her second, and sadly disappointing, sophomore.

Films of the week: Napoleon, The Royal Hotel

Hollywood finally looks at the story of Napoleon, with Ridley Scott helming Joaquin Phoenix, but it’s a little Australian indie that wins the week.

Film of the week: Saltburn

Following the success of Promising Young Woman, Emerald Fennell aims at the rich and privileged in this pulpy and obscene thriller.

Film of the week: The Marvels

The Marvel Cinematic Universe hasn’t found its stride since The Avengers, but at least this latest chapter has good ideas behind it.

Film of the week: Foe

Australian director Garth Davis is joined by two of the biggest talents of this generation for a flawed film that still pulls a powerful punch.

Film of the week: The Killer

Back in the world of thrillers, David Fincher takes the chance to explore some overlooked themes of the genre.

Film of the week: Killers of the Flower Moon

Martin Scorsese’s new film about the Osage murders is less about the investigation than what it says about the truth of America.

Film of the week: The Crime is Mine

Prolific French filmmaker François Ozon’s new film relies on Isabelle Huppert to elevate its charm, but misses a chance for a perfect crowd-pleaser.

Film of the week: The Creator plus ticket giveaway

Gareth Edwards escapes the Star Wars Universe to bring a new, original and exciting sci-fi romp aimed to please everyone yearning for new original stories….

Film of the week: A Haunting in Venice

Kenneth Branagh’s third Poirot feature is a fun gothic whodunit that gets to elevate the original story but, more importantly, liberate the filmmaker from his…