Film review: Silent Friend
Tony Leung’s second non-Chinese film is a beautiful, meditative thesis of change and isolation. It’s not trying to please everyone, but it opens up to…
Tony Leung’s second non-Chinese film is a beautiful, meditative thesis of change and isolation. It’s not trying to please everyone, but it opens up to…
Sydneysider Milly Alcock joins the superhero ranks in this messy, rushed and often ugly production that nevertheless is never boring or soulless
Hugh Jackman is an old Robin Hood in a gritty retelling that tears apart the myth, and a little Australian horror movie dives deep into…
Julia Roberts stars in After The Hunt, a tense academic drama exploring privilege, power, and generational conflict at Yale’s philosophy department.
Bruce Beresford’s The Travellers aims for emotional depth in a rural homecoming tale, but its forced drama and nostalgia miss the mark.
Benny Safdie’s The Smashing Machine redefines the fighting genre with raw emotion, gritty visuals, and Dwayne Johnson’s standout performance.
Paul Thomas Anderson finally works with Leonardo DiCaprio in one of the year’s best films. And Spinal Tap returns to the genre it helped create.
Margot Robbie and Colin Farrell star in Kogonada’s whimsical A Big Bold Beautiful Journey, a sentimental magical realist romance that misses the mark.
A gothic ghost story set in New Zealand, and co-produced with Australia, Went Up The Hill explores trauma, grief, and possession with haunting visuals and…
Eva Victor’s debut Sorry, Baby is a tender, powerful indie drama exploring trauma, healing, and memory with quiet brilliance and emotional depth.
A stylish 90s-set caper with Austin Butler and Zoë Kravitz, Caught Stealing blends nostalgia, chaos and cool in a fun but forgettable crime romp.
Ari Aster’s “Eddington” satirises pandemic-era America with biting social commentary and surreal drama. Akiva Schaffer’s “The Naked Gun” reboot revives classic slapstick with Liam Neeson…
Tom Hiddleston stars in Mike Flanagan’s The Life of Chuck, a visually tender but emotionally hollow adaptation of Stephen King’s story that struggles to find depth.