Film of the week: The Fall Guy, plus ticket giveaway
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
The Japanese director behind 2021’s Drive My Car delivers a beautiful and contemplative eco-drama that ends with one of this year’s most harrowingly haunting endings.
Alex Garland divides opinions, and America, in a nihilistic war fantasy. And the surprise Spanish animated Robot Dreams is a charming piece that both breaks and…
The director of The Father continues his trilogy, and Vicky Krieps helms a new type of period drama.
Two established filmmakers succumb to their worst whims in two fairly mediocre films that are ironically both saved by a tremendous central performance.
Cate Blanchett’s immense masterclass performance deserves to be studied years to come in Todd Field’s expertly designed story about the self-destructive power of the ego.
The team behind Malignant delivers again a surprisingly entertaining and unpretentious film.
In the tail end of his career, Steven Spielberg finally goes deeply personal with The Fabelmans, and in A Man Called Otto, Tom Hanks’ miscast…
Martin McDonagh returns to form after his Oscar success, and Stephen Frears does the minimum on his new simple, but forgettable, film.
James Cameron returns to Pandora for a sequel that no one wanted, but everyone will watch.
Two very distinctive French thrillers are the perfect way to start the Christmas season
Brimming with set pieces, designed to the absolute hilt, impeccably styled, roaring with music: an abundance of delights in Luhrmann’s latest
While beautifully shot, Men is let down by a clumsy final act, failing not only its heroine but perhaps women everywhere.