Film of the week: The Fall Guy, plus ticket giveaway
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
The Japanese director behind 2021’s Drive My Car delivers a beautiful and contemplative eco-drama that ends with one of this year’s most harrowingly haunting endings.
Alex Garland divides opinions, and America, in a nihilistic war fantasy. And the surprise Spanish animated Robot Dreams is a charming piece that both breaks and…
Brandon Cronenberg’s signs a new nightmare about how the lack of empathy in the wealthy. And the French give the Zero Dark Thirty treatment to the Bataclan…
The Guardians of the Galaxy trilogy reaches a satisfying conclusion with lessons the rest of the Marvel Cinematic Universe should take
David Lowery returns to Disney for a justified and charming remake, while Nida Manzoor brings us the year’s first crowd pleaser
Ari Aster’s divisive new film deserves to be talked about, while Zach Braff’s continues not to make the bare minimum for a good reliable drama.
Louis Garrel signs a charming little French comedy caper that does everything right, even if nothing in takes your breath away
Japanese master of social-realism Hirokazu Koreeda makes his first film outside of his native country, and an American indie feature debut taps into that millenial…
Keanu Reeves takes one last ride as John Wick in the fourth film of the action saga, and Of An Age, a heartbreaking Australian gay-awakening…
This week Andrea Riseobourgh proves that her Oscar nod was well deserved, while Bobby Farrelly does the offensively bare minimum
Sam Mendes writes and directs this prestige drama that in spite of Olivia Coleman’s tremendous performance, fails to hit the right buttons.
Sarah Polley’s thought-provoking Women Talking confronts oppression and patriarchy as two interchangeable concepts, while Marvel’s Ant-Man does the bare minimum