Film review: The Duke
Roger Michell’s final film is exactly like the British director’s whole career – charming, effective, and a jolly good time with expectedly solid performances from…
Roger Michell’s final film is exactly like the British director’s whole career – charming, effective, and a jolly good time with expectedly solid performances from…
Despite the complexity in the details of Bergman Island, it remains a simple and engaging story.
A round up of the best this month has to offer at the cinema.
A neo-noir retelling of the DC superhero works well as a detective story, even if the execution sometimes misses the mark.
A thunderous performance from Peter Dinklage and a collection of beautiful songs from the band The National, make Cyrano is an improbable musical worthy of…
With a handful of great performances, and a beautiful concept, this rare piece of tender humanity has more to say about us than expected.
During the three hours of this film, not a single minute is wasted on anything that isn’t important or moving. The result is heartbreaking.
Belfast’s strength as a film is in reclaiming a damaged place back for those who left and those who stayed.
A round up of the best that February has to offer at the cinema.
LSJ has five double passes to Drive My Car, in cinemas from 10 February.
The film doesn’t rush to its spiralling finale, letting us appreciate Stan’s progression from stoic to charming, to ticking bomb of excess and vice.
Credit where it’s due: House of Gucci knows precisely the kind of film it wants to be
Licorice Pizza is a remnant of a past that doesn’t exist anymore.