Film and screen

Film review: Blue Moon, It Was Just an Accident (plus ticket giveaway)

Ethan Hawke elevates Linklater’s new film with a charming and tragic performance, while Jafar Panahi’s award-winning film about Iran arrives in Australia when it’s more…

Film review: Marty Supreme (plus ticket giveaway)

In Josh Safdie’s Marty Supreme, a chaotic 1950s character study, Timothée Chalamet stars as a grifter chasing the American Dream at any cost.

Film review: Hamnet, No Other Choice, 28 Years Later: The Bone Temple

Film review: Nouvelle Vague

Richard Linklater’s love letter to Jean-Luc Godard is, for better or for worse, a charming collection of pop references.

Best films of 2025 (plus ticket giveaway)

In a year that proves audiences are changing, LSJ chooses the best releases of 2025.

Film review: Nuremberg, Eternity

An impressive cast can’t make Nuremberg feel a bit outdated, and Eternity is an enjoyable witty afterlife romance.

Film review: Lurker (plus ticket giveaway)

A gripping indie thriller exploring ego, fame, and obsession, Alex Russell’s first feature delivers psychological depth and intense performances.

Film review: Wicked: For Good

The famously weaker second half of Wicked lacks the punch and musical numbers of the first part, but Jon Chu, Cynthia Erivo and Ariana Grande work…

Film reviews: The Running Man, Keeper

Edgar Wright’s The Running Man remake stars Glen Powell, mixing high-energy action and nostalgic flair while missing modern political relevance.

Film reviews: Die My Love, Predator: Badlands

Lynne Ramsay’s Die My Love delivers a raw take on isolation and motherhood, while Predator: Badlands falters with shallow tone and franchise setup.