Film review: The Voice of Hind Rajab, The Bride! (plus a ticket giveaway)
A Tunisian film about Gaza becomes essential viewing, while Maggie Gyllenhaal recruits Jessie Buckley and Christian for her myth breaking fever dream, with various degrees…
A Tunisian film about Gaza becomes essential viewing, while Maggie Gyllenhaal recruits Jessie Buckley and Christian for her myth breaking fever dream, with various degrees…
A father and his son looking for his sister in the rave scene of the Moroccan desert is the set up for this Spanish film…
Olivia Coleman and John Lithgow star in an Australian film about three generations in a queer family, and Alexander Skarsgård bares it all in a…
This week Andrea Riseobourgh proves that her Oscar nod was well deserved, while Bobby Farrelly does the offensively bare minimum
Sarah Polley’s thought-provoking Women Talking confronts oppression and patriarchy as two interchangeable concepts, while Marvel’s Ant-Man does the bare minimum
The director of The Father continues his trilogy, and Vicky Krieps helms a new type of period drama.
Two established filmmakers succumb to their worst whims in two fairly mediocre films that are ironically both saved by a tremendous central performance.
Cate Blanchett’s immense masterclass performance deserves to be studied years to come in Todd Field’s expertly designed story about the self-destructive power of the ego.
The team behind Malignant delivers again a surprisingly entertaining and unpretentious film.
In the tail end of his career, Steven Spielberg finally goes deeply personal with The Fabelmans, and in A Man Called Otto, Tom Hanks’ miscast…
Martin McDonagh returns to form after his Oscar success, and Stephen Frears does the minimum on his new simple, but forgettable, film.
The 10 best pictures that surprised us in 2022. For a year that saw more big names releasing directly to streaming, it’s only a coincidence…
Two very distinctive French thrillers are the perfect way to start the Christmas season