Film review: Nuremberg, Eternity
An impressive cast can’t make Nuremberg feel a bit outdated, and Eternity is an enjoyable witty afterlife romance.
An impressive cast can’t make Nuremberg feel a bit outdated, and Eternity is an enjoyable witty afterlife romance.
A gripping indie thriller exploring ego, fame, and obsession, Alex Russell’s first feature delivers psychological depth and intense performances.
The famously weaker second half of Wicked lacks the punch and musical numbers of the first part, but Jon Chu, Cynthia Erivo and Ariana Grande work…
Edgar Wright’s The Running Man remake stars Glen Powell, mixing high-energy action and nostalgic flair while missing modern political relevance.
Lynne Ramsay’s Die My Love delivers a raw take on isolation and motherhood, while Predator: Badlands falters with shallow tone and franchise setup.
Emma Stone and Jesse Plemons shine in Bugonia, a darkly funny, politically charged satire from Yorgos Lanthimos about conspiracy theories and aliens.
Julia Roberts stars in After The Hunt, a tense academic drama exploring privilege, power, and generational conflict at Yale’s philosophy department.
Bruce Beresford’s The Travellers aims for emotional depth in a rural homecoming tale, but its forced drama and nostalgia miss the mark.
Benny Safdie’s The Smashing Machine redefines the fighting genre with raw emotion, gritty visuals, and Dwayne Johnson’s standout performance.
Paul Thomas Anderson finally works with Leonardo DiCaprio in one of the year’s best films. And Spinal Tap returns to the genre it helped create.
Margot Robbie and Colin Farrell star in Kogonada’s whimsical A Big Bold Beautiful Journey, a sentimental magical realist romance that misses the mark.
A gothic ghost story set in New Zealand, and co-produced with Australia, Went Up The Hill explores trauma, grief, and possession with haunting visuals and…