Film review: Sinners
Ryan Coogler steps away from the shackles of franchises to deliver one of the most exciting horror blockbusters since Jordan Peele’s Get Out
Film of the week: Past Lives
Celine Song’s feature debut is a worthy successor of Before Sunrise and Lost In Translation. Heartbreaking and beautifully acted, but it is Song’s direction that elevates…
Film of the week – Godland
On his third feature, Icelandic filmmaker Hlynur Pálmason steps up his game in a beautiful but bleak meditation on the destructiveness of masculinity against an…
Film of the week: Asteroid City
For his eleventh feature, Wes Anderson uses all the tricks to prove he’s not losing his sentimental and visual playfulness.
Film of the week – Talk to me review + Past Lives giveaway
The new Australian cult horror film delivers the goods but falls short of brilliance.
Films of the week: Barbieheimer
It is the long-awaited double-bill of the year from two acclaimed-filmmakers: Barbie versus Oppenheimer.
Film of the week: Carmen
This uniquely international production, shot in Australia, offers a new take on Bizet’s Carmen. With Paul Mescal and Melissa Barrera, it is visually powerful and more…
Films of the week: The New Boy and Other People’s Children
This week Australia’s finest filmmaker is joined by the country’s finest actor, for a film about the destructive nature of our colonial past, while the…
Film review: Peter Pan & Wendy, Polite Society
David Lowery returns to Disney for a justified and charming remake, while Nida Manzoor brings us the year’s first crowd pleaser
Film review: The Innocent
Louis Garrel signs a charming little French comedy caper that does everything right, even if nothing in takes your breath away
Film review: Broker, Linoleum
Japanese master of social-realism Hirokazu Koreeda makes his first film outside of his native country, and an American indie feature debut taps into that millenial…