Film review: Beau is Afraid, A Good Person

Ari Aster’s divisive new film deserves to be talked about, while Zach Braff’s continues not to make the bare minimum for a good reliable drama.

Film review: The Innocent

Louis Garrel signs a charming little French comedy caper that does everything right, even if nothing in takes your breath away

Film review: Broker, Linoleum

Japanese master of social-realism Hirokazu Koreeda makes his first film outside of his native country, and an American indie feature debut taps into that millenial…

Film review: John Wick Chapter 4, Of An Age

Keanu Reeves takes one last ride as John Wick in the fourth film of the action saga, and Of An Age, a heartbreaking Australian gay-awakening…

Film review: To Leslie, Champions plus Living ticket giveaway

This week Andrea Riseobourgh proves that her Oscar nod was well deserved, while Bobby Farrelly does the offensively bare minimum

Film review: Empire of Light, and two giveaways

Sam Mendes writes and directs this prestige drama that in spite of Olivia Coleman’s tremendous performance, fails to hit the right buttons.

Film review: Women Talking, Ant-Man and The Wasp: Quantumania

Sarah Polley’s thought-provoking Women Talking confronts oppression and patriarchy as two interchangeable concepts, while Marvel’s Ant-Man does the bare minimum

Film review: The son, Corsage and ticket giveaway

The director of The Father continues his trilogy, and Vicky Krieps helms a new type of period drama.

Film review: The Whale and Knock at the Door

Two established filmmakers succumb to their worst whims in two fairly mediocre films that are ironically both saved by a tremendous central performance.

Film review: Tár

Cate Blanchett’s immense masterclass performance deserves to be studied years to come in Todd Field’s expertly designed story about the self-destructive power of the ego.